{"id":73108,"date":"1999-02-25T10:00:24","date_gmt":"1999-02-25T09:00:24","guid":{"rendered":"https:\/\/www.rafz.com\/?post_type=etheme_portfolio&p=73108"},"modified":"2022-01-25T17:00:19","modified_gmt":"2022-01-25T16:00:19","slug":"musica","status":"publish","type":"etheme_portfolio","link":"https:\/\/www.rafz.com\/it\/media\/musica\/","title":{"rendered":"Musica!"},"content":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_column_text]Un progetto di Raffaele Iannello pubblicato su Musica!, l’inserto del quotidiano La Repubblica dedicato al rock e ad altri genere musicali. Qualche mese prima era stato indetto un concorso con il quale si chiedeva ai lettori della rivista di provare a disegnare la statuetta da consegnare ai vincitori della successiva edizione del PIM, Premio Italiano della Musica, che si sarebbe tenuto da l\u00ec a poco. Su questo numero uscito il 25 febbraio 1999, un articolo ha raccontato l’entusiasmo generato dal concorso e ha descritto alcune delle proposte arrivate fino a quel momento.
\nTra le migliaia ricevute, ne sono state pubblicate solo 8. La statuetta per il PIM ideata da Raffaele Iannello, anche se alla fine non \u00e8 stata la proposta scelta, ha comunque molto colpito la giuria del concorso, capitanata dal dj Linus di Radio Deejay. Scherzosamente soprannominata dai giornalisti “paleo-gatto di marzapane”, nell’articolo qui riportato viene citata per ben tre volte.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”73109″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”73112″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”73118″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/4″][vc_column_text]Nell’idea del designer, questo oggetto voleva essere la sintesi perfetta del concetto stesso di musica. Era infatti la rappresentazione dell’unione dello strumento musicale da cui si generava la musica e dell’ascoltatore che in quel momento ne fruiva.[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ offset=”vc_hidden-xs”][vc_single_image image=”73125″ img_size=”full”][\/vc_column][vc_column width=”1\/4″ offset=”vc_hidden-xs”][vc_single_image image=”73122″ img_size=”full”][\/vc_column][\/vc_row][vc_row el_class=”col”][vc_column width=”1\/2″ offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm”][vc_single_image image=”73125″ img_size=”full”][\/vc_column][vc_column width=”1\/2″ offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm”][vc_single_image image=”73122″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Il logo della casa discografica “La voce del padrone” (e della sua emanazione britannica “His Master’s Voice”) era stato lo spunto di partenza. Il grammofono ed il cagnolino l\u00ec presenti erano stati fusi insieme dando vita ad un oggetto antropomorfo caratterizzato da una spiccata vena ironica e provocatoria, cifra stilistica del designer.<\/p>\n

Il tutto era poi stato reso molto “plasticoso” per renderlo il pi\u00f9 ergonomico possibile, essendo un oggetto da tenere in mano. Per aggiungere un riferimento alla contemporaneit\u00e0 (ed anche al futuro, dal punto di vista di quel momento), la testa dell’animale aveva il volto luccicante di un cd (Compact Disc), ai tempi il supporto musicale pi\u00f9 diffuso e considerato il pi\u00f9 avanzato dal punto di vista tecnico.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”73128″ img_size=”full”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”73131″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”73134″ img_size=”full”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”73137″ img_size=”full”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_column_text]Un progetto di Raffaele Iannello pubblicato su Musica!, l’inserto del quotidiano La Repubblica dedicato al rock e ad altri genere musicali. 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